Whispers from your lovesick lips and in the gallery standing
I put my hands down to feel the blue carpet in your room
And pulling at it rough the crunching sound of bunched fabric
Under nails and your eyes wandering to me
We both seem far too sober for this
And I think about going to wash for you
We end up brushing our teeth together after in a marriage
We’ll never see and making a great show of timidity
I slide my trousers down carefully obscuring
Until I’m beneath your sheets and you ask
This honest face this suddenly looking in my eyes
I stole a tiny piece of your heart there
But that’s not what a 19th century face would do
That’s not quite suitable will ruin the portrait
And you go cold as I cuddle you
And now in the morning awake I put away my brushes.
Monthly Archives: April 2020
It was like one of these Netflix shows
My camera face panning up thru the crowd
At your shoulder you looking back into the lens
The dusk light the pause that flows into
This off license where we buy pizza and sweet
Chilli sauce talking about postcards and flows
Through the phantom crowds to the grey door
That’s yours the faded stickers and peeling and
We’re walking up I think of your landing
I only remember your landing from leaving
Tomorrow in the bright and licking my lips
Like the stairway to the toilets in a new bar
Concrete and stark lying happiness the story
Of progress this is relevant to the show
And when we get into the flat it is muted
Colourful and old and small comfortable hallways
The housemate reassuring and exciting either
Brown hair or blonde the colours of extras
It’s an artistic flat a Shoreditch flat like
A Manhattan Flat or Greenwich flat or
Whatever it’s a film set flat that looks wonderful
To me and your room the orange wall and
Rough carpet I take off my shoes and shirt and
Fancy the bathroom is greenish and aqua
I settle in there for cleaning for pause this is
The time in the show for a monologue but
I look into the mirror and say nothing and pull
Up my foreskin and use the scented soap
And I wash my hole with the shower on full
But it will still leave shit on you and maybe
The camera goes to this, but it is less embarrassing
When it happens for final and you disappear with the
Latex like a spent vegetable, like an onion skin
And on the side of your bed this model seal
With the lube in it before I know what lube is
How vaginas make it how anuses are dry
I am sitting on your penis and the camera is on
Your bored face and you push up into the camera
Stand and the viewers can feel you and behind
Your beard you’re a beard and a chest and a bird
But we also eat pizza and watch cartoons you
Show me your poem you speak to your housemate
As I read and I am too busy being your bitch to
Read and you are too busy treating me like a person
To waste time on this bitch and we watch cartoons
Talk about your singing fish and the window is open
The cold morning cleansing me from here so
I hold you close and see things from your poem
The headlights the cars passing the crowds outside
As the camera pans out and the next
Scene comes too soon.
U have to read to write good
So sometimes I like to read
And go into their dreams
I feel the grass like the wind
In Dylan Thomas and everything
Smells of semen he’s always
Talking about salt and ears
Of corn and things I hear his
Deep voice imagine Welsh
Baritone or just booming or
Hungry and dripping with words
And then I go on hobartpulp.com
To see tens of unique but similar
Tales of realisation, family, love
The new poetry and I look over old
Couture Noir feature lists and
Maybe I write something in LA or
Miami and then it’s vagabondcitylit
If they’ve decided to do an issue
Lately and I’m looking for poems
About transgressional romances
On my table are two Hunter Thompson
Collections I read over and over
And three collections by local
Poets Andrew Graves and Penny
Pepper and Society of the Spectacle
And a horn and a clay jug and my
Almost broken headphones taped
Together with hairbands and a pot
Of coffee and as I get to the peak
Of the coffee high my mouth vents
Petrol and I roll my head back.
I’D KILL THESE HEELS
Maybe you’re gone
But my heart is still stuck to your stiletto
Like gum
With you every night out
Looking up your dress
Watching if you weep with pleasure
Knowing what it is for you to undress
On a foreign floor
Listening to the bed springs those nights
Concealed under the table
At convivial dinners
Pushed from the talk
A nothing that abides
Arrogantly
Sucking on to your
Pink and damp
Pulsing occasionally as stabbed
If I had any want left
I’d want the arrogant gum cut
out
As much as you
It stole everything
Took the saliva of my soul
Just to drink the dirt
Pull it off with your tender fingers
Please
Or throw the stiletto
Into the night
A necessary castration.
Today I was writing
And on the wall I wrote with the smudging ink
on the smooth white paint ‘every day I write’
Signed and dated and the summer crawling
Through the window I burned this is the first
Time I’ve worked in two weeks, let me fucking
Work and she sassed me out and I said okay
Let’s go for a walk, I need to go out anyway
So a walk became a drink became a bottle of rose
On the beach became two hours perhaps
Became shopping became queues and insults
Became more shopping and only one family
Member allowed in at a time I sat on a cooling
Street corner wandering if the block behind me
Would throw something at my head, the people
There seem so and anyway I reflect on my
Failed day pre-ordained by the act of promising
Now I write at 5:27am and after writing Palm
Springs Rest
The night is today
The day is missing